Wednesday, May 6, 2015

Más o menos

Posted by emily morgan thompson at 7:25 PM 0 comments


During my first afternoon in Granada, there was a parade.  

It reminded me of a snake, but a gentle, intoxicated one - consuming slowly the streets of the city until its belly bulged.   The celebration held me captive for two hours, observing the dancing and the warm smell of food cooked on hot-plates on every curb, and the rustling of beaded dresses that swept the cobblestones.  It was all color and history I had no history to relate. 

I was in Granada for a week alone, on break from leading mission trips in other parts of Nicaragua. I would spend mornings and evenings in a warm classroom off a school courtyard with my Spanish instructor, a girl slightly older than me with a quick grin and kindness.  We’d fill the room with the stumbling over of words – on my part – and dust from chalkboard erases correcting my mistakes.  Each time I would answer and ask, timidly, “¿correcto?” she would laugh a quiet Nicaraguan laugh and say “si, Amelia – Más o menos.”  And I would more or less feel pride and ineptitude both at once. 



During the days, I was alone with rented bike, carving my way through the city, pass open-doorways where there were family meals and Central American soaps on TV.  I’d weave around horse-drawn carriages and lean against slowing taxi cabs around the corner bends, until the maze of Granada felt smaller and smaller.



I’d eat ice cream cones of Eskimo before dinner because I could, and write poems in a café off the center square that was filled with palm trees, and bike along the water.  I’d climb to the tips of dusty, magnificent cathedrals and worship over the entire city, and grin and small talk in Spanish with street vendors and visit art museums. I’d stay outside until the sun was as heavy and low as it could be before giving way, and head back to my rented room.



I was, in all things, utterly alone.  I’d go full days speaking no English, only silently to myself, feeling like a tiny alien in a new world that was beautiful and lonely.  I was inconsequentially alive, it seemed, for all of that week. 



At the end of these days of Spanish and wonder and loneliness and joy and a sickness for home, I’d lay spent on the mattress, half covered in fan-wind and moonlight.  In the quiet, I was aware of the particularities of translation – it wasn’t true of me, my being “more or less”. 



I was a girl made and created, alone but important, an observer and a dreamer. In the silence of those moments, I was so much more than I had imagined.  And in the grandness of the city and the beauty of the world, I learned, graciously, that I was also less. 

Sunday, March 29, 2015

about loneliness and making stuff

Posted by emily morgan thompson at 5:06 PM 0 comments

For the past month of so, I've been very obsessed with Patty Griffin's first album, "Living With Ghosts" (from the 90's.)   It is a beautiful, beautiful thing -- so bare and powerful, and I have been so moved listening to it.  

The opening track (listen above) is called "Moses", and there is something about this song that has haunted me.  She has this line, "I need Moses/To cross this sea of loneliness, Part this red river of pain".  I first heard it sitting at my desk at work, and had to excuse myself for the restroom because tears were filling my eyes -- it is so desperate and so lonely.  

With that musical prompting from Patty, I've been trying to pay attention to the theme of loneliness that stitches itself across so much of the music and movies and novels and poems that I love.  It is undeniable that so much art is made by the voice of isolation, that so much of it calls out from that place. 

I've been thinking lately that maybe, ultimately, loneliness is the thing that prompts us to create. By that I mean that when we feel things so intimately within ourselves, like pain or beauty, we are desperate to share it, to externalize it.  Our creations are little propositions to enter into the things we feel the most, like Patty calling out for someone just to guide her through her aching.  

And yet, what's sort of cool and sort of extraordinarily terrifying about loneliness is that even our art cannot fully satiate it.  We are created so uniquely, and have experiences and thoughts and feelings so unique that there is always a lingering loneliness in being alive.  This is bittersweet to me -- I sort of love the thought of experiencing the world in a way no one else can ever 100% relate to, but I also sort of fear that thought.  And maybe the fear is what prompts me to write! 

So anyways, all of this to say, there are a few things I wanted to share, and those are  1) listen to Patty Griffin and 2) think about your loneliness.  What are the things you feel the most deeply, and how can you share them and create from that place?  

P.S. The following is a poem I started while I've been thinking about these things, about loneliness and the hurt and beauty of it. No title yet (because titles are the worst part of anything)

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you’ve asked me three times what I’m thinking, 
to give thoughts that don’t belong to you, who
haven’t lost the things I’ve lost.   

do you come at this pain having had soup and grapefruit
for dinner? having felt, the first time your hand was held,
the universe collapse backwards into the original atom? 
having woken mornings straight with damp-forehead, 
fitful from memory of driving with you to a county fair
talking about some future life? 

I could tell you what I’m thinking, 
speak across this middle console 
what will never fit into the boxes of your
experience or the words of your mouth or the 
thoughts of your heart 
to fill the silence of goodbye.  

Getting out, I realize I was never in your car
on my street, with the neighbor lights
familiar and the house key pressed to my palm.  

I’m with rows of bulb-lights hanging beyond, 
sitting at the Ferris Wheel top.  I’m where 
all things are far from me, and I give
only my exhale to the cool of the night.
I wait on the awkward first-lurch forward, 
I wait to come back down to life.  

Sunday, February 15, 2015

about age

Posted by emily morgan thompson at 7:52 PM 1 comments

I turned 25 on Thursday, and as such, I've gotten to enjoy a few sweet birthday celebrations over the past week. It's got my thinking about age, as birthdays obviously do. What I've landed on is this: age is good. 

In the midst of having momentary quarter-life crises and noticing the excess of gray hairs sprouting from my bangs, what I've also noticed is that with each passing year of life, I'm more comfortable in my own skin.

I understand more about the things I like and hate. I speak my opinions with greater frequency. I don't worry if I forgot to put make-up on when I bump into someone in the grocery store. I laugh at myself not out of discomfort, but from the enjoyment of the general absurdity of life.  I just know myself better-- the same way you do when you spend more and more time with a friend.  

There is some sort of tendency in our world to mourn the passing of time as though we are losing something. And yet, it all just seems so much more like gain. The way that water washing over and over a stone refines it into something unique, I find that time passing over me with greater frequency provides me this fuller sense of self.  

I'll admit that as I get older, I tend to freak-out about not being enough yet.  In those moments, I forget that while I may not be complete, I am at least more.  That is something beautiful and good. 

Each day I get to carry this greater-realized spirit around with me, and she will grow and grow and grow.  

What i'm getting at with all of this is that we just aren't static creations.  We are people becoming something, and I for one am grateful for age - for that tiny reminder that I'm another year further along is knowing what that something is.  

Sunday, February 1, 2015

about my favorites songs of 2014

Posted by emily morgan thompson at 9:24 AM 0 comments
At the close of 2014 I told myself that I was going to make a list of my favorite songs from the past year.  And today I looked at my calendar and thought "WHOA FEBRUARY" and realized I had yet to do so, which felt like a shame, because there was a lot to love about music in 2k14. 

So here it is - an unordered smattering of 20 of the songs that most graced my ears from some albums I loved last year. What were your favorites?

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Sunday, January 18, 2015

about pop music sparknotes

Posted by emily morgan thompson at 2:45 PM 0 comments
I was examining the current Top 40 list for pop music and thought, "Wow, these songs are COMPLEX! There needs to be some way for the general public to access and understand these elaborate and beautiful works of art!"

And so, with that thought, I've taken three of the most compounded current hits and produced Pop Music Sparknotes.  I hope they bring you into a deeper understanding of the touching songs they truly are.
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General Overview Notes:

“Time of Our Lives” is unique in the Pitbull canon, because unlike many of his classic hits, this tune features themes of over-the-top partying, objectifying the female sex, and drinking excessive amounts of alcohol. 
Generally speaking, the song dives deep into financial themes that are likely understandable for the average listener.  Ne-yo, artistic collaborator and clear tragic-hero of the single, woefully explains that while he “works his ass off”, he has no money for rent.  Thankfully, however, he still has enough to buy several rounds of shots. 
Speaking into the value system of your typical millennial, Pit and Ne-yo encourage fans to “forget your bills”, because even if get evicted from your house and lose your job and succeed in destroying all your healthy relationships, you still get to party tonight.

Important Quotations Explained:

“But everyday above ground is a great day, remember that”

Pitbull, as he is oft prone to do, spins a beautiful line at the close of the pop hit.  He leaves the listener to ponder the optimistic sentiment that there is always a silver lining to every day, minute, or Miami nightclub rager. And thank goodness for that.



General Overview Notes:

In a song that clearly panders to the hearts of independent feminists disgusted by the thought of male ownership in a romantic relationship, “Jealous” can be summed up most accurately as an elaborate public declaration of all of Nick Jonas’ insecurities. 
Knowing that all women love a man who poses practically naked for a magazine and then gets angry when you have two-minute conversation with a member of the opposite sex, Jonas creates an artistic expression that has won over the hearts of his female admirers.  The singer candidly admits that he is “possessive”, “hellish”, “passive” AND “aggressive”, knowing that these are four traits most desirable in modern courtship. 
Taking the song as a whole, the listener can note a general sense of chivalry in Jonas’ words – he “means no disrespect”, but he still wants to own you. 

Important Quotations Explained:

“I turn my chin music up
And I’m puffing my chest
I’m getting red in the face”

Proving that he is not only a gentleman, but also a poet with the perplexing phrase “chin music”, which one can only analyze after a deep dive into Urban Dictionary, Jonas paints vivid imagery for his audience.  Evoking an animalistic spirit, Jonas hits directly on what is attractive for his female fans: a man who looks just like an ape.

Further Analysis: if you’d like to uncover the more spiritual undertones of this song, be sure to listen to the gospel-choir version of “Jealous”, which will surely unveil the marked notes of allegory that Jonas so delicately expresses. 


General Overview Notes:

A casual listener may believe that this song is overtly sexual.  However, a granular approach to Grande’s latest hit makes clear that there is so much more going on. 
Yes, if one is simply to listen to the song, it may be all sex.  But the key to understanding this ballad is to watch the music video.  Then, one discovers that this hit is also about Ariana solo-grinding in an abandoned house wearing cat ears.  Complexities abound. 
There is also a shot of raindrops falling in reverse.

Important Quotations Explained:

“Love me, love me, love me
Harder, harder, harder”


Exploiting the literary technique of the Rule of Threes, Grande proves that there is nothing sexier than pleading for someone’s affections.  Over and over and over again.

Thursday, January 15, 2015

about old finds and favorite places

Posted by emily morgan thompson at 5:06 PM 0 comments

I really love finding old poems because they make you think "ahh, yes, THAT feeling" and it all
rushes back to you fresh and new.
Really missing Nicaragua today, so I read my old Nica blog and found this.  Hoping it's not too long until I'm back there with some of the people and communities who have most shaped and changed me.

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Eye-level

Flying home from your country
our plane is horizontal to the moon,
which has never happened to me before
in this way, feeling eye-level,
that something would kneel down for me
which was already almighty and placed
where it belonged,

but it makes me think of my knees
pressed against the floor of your church
out in the hottest, dustiest middle of
nowhere where I looked at you,
our eyes resting along the same horizontal plane,
and told you that you meant something,
and that your life was bigger than you
had been told it could be,
being so young and so hungry all the time,
which can make someone feel small.

Your name, which sounds like "honey"
said with a laugh or marbles in your mouth,
is sticking to me, even as the moon
flees from the window of this plane
and is not almighty enough to stick

around like you will,
or that moment when you wrapped arms
around my waist, I kissed your hair,
with my eyes falling across the perfect space
to see the glue hanging from your skirt pocket

and held you, nine-years-old,
so young and so hungry
that I felt less than a speck,
and very small.

Tuesday, January 13, 2015

about learning structure

Posted by emily morgan thompson at 7:11 PM 0 comments
There is a thing that I like about New Year's resolutions -- it makes us think about accountability. 

This is a good thing.  The older I get, the more I come to believe that I am totally incapable of doing pretty much anything of worth unless I have some structures in place to assist me and some accountability to keep me from giving up.

Luckily, I also have poetry - another thing in my life that has taught me that even though structure seems boring, it can lead to pure magic. 

So tonight with those thoughts, I came up with a new set of structures/a writing goal I want to keep myself accountable to: Tiny Twelve-Lines-or-Less Tuesday Poems!

The name kinda says it all -- on Tuesdays, I'm going to write one tiny poem. Just a small one.  It's not intimidating, it sounded fun, and having a routine like that seemed like a good idea for me. 

I certainly won't be sharing them all, and I will certainly miss a few Tuesdays here and there, but I'm trying to start teeeeeny tiny in the hopes that a structure turns into a discipline turns into a better me.

Here's my first Tiny Twelve-Lines-or-Less Tuesday Poem.  I'll probably write a lot of them based on what I've been reading during the week.  This go around, it's the book of Genesis.

Any Tuesday structures you can think of adding to your life to help meet your goals? It doesn't have to be big - it can be tiny! 

Happy Tuesday, team!
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Loving Adam

Silence then names. I watch
you make fish into fish, cows
to cows.  Mountains, together,
cloud wisps and mercy,
love - all new to me. 
This life - everything is too
free. 
The river waters without ask. 
I break you,
and it hurts: my heartbeat
beats against your bones. 
 

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